2015 In Books

Although I’ve not had as much time for reading this year as I would have liked, I have read some absolutely fantastic books.

So here’s some of my favourite books that I’ve read in 2015…

The Slow Regard of Silent ThingsThe Slow Regard of Silent Things
Patrick Rothfuss
This is a spinoff novella from The Kingkiller Chronicles, exploring the bizarre, dream-like, and strangely heartwarming life and routines of Auri, a side character from the series. Now, I’ll admit, I am in the camp of people that love anything Rothfuss does. He could wipe his arse on paper and I’d buy it, but this book is simply beautiful. It breaks just about every writing rule there is, but it just works. I wouldn’t recommend it if you haven’t read The Kingkiller Chronicles, but for Rothfuss fans, it’s a must.

Broken MonstersBroken Monsters
Lauren Beukes
Another signature thriller with an intricate plotline and a touch of fantasy. I’ve loved Lauren Beukes since reading Zoo City, and this book surpassed my expectations. It astounds me how many plot lines Beukes manages to keep hold of, to plait together. I would love to pick her brains about her method of plotting her books. I honestly couldn’t put this down. And when I wasn’t reading it, I was thinking about reading it.

John Ajvide Lindqvist
Although Let The Right One In has been sat on my overwhelmingly huge to-be-read pile for ages, this is the only Lindqvist book that I’ve read so far. This is a dark and desperate story of a father whose young daughter disappears into thin air, and his journey to find her. Fantastical and odd, this book is a little slow-moving at times, with an ending that raises as many questions as it answers, but it definitely deserves its place here.

The Death HouseThe Death House
Sarah Pinborough
This was my first experience of Pinborough’s work, and I only picked it up because she was a guest author at Edge Lit in July, and I wanted to read something of hers before I attended. And I’m so glad I chose this. I have to name this as my book of the year. It’s a post zombie apocalypse novel, but nothing like what you’d expect from the genre. It’s tender, heartbreaking, but somehow, ultimately optimistic. But I’ll warn you; read it with a box of tissues. I’ve cried over several books, but this is the first to leave me sobbing.

The Strings of MurderThe Strings of Murder
Oscar de Muriel
This debut novel is a Victorian gothic murder mystery, with a less-than-usual killer. In fact, it also boasts some less-than-usual detectives. Unlikely CID partners, Frey and McGray, are the perfect double-act mix of comedy and genius, pulling the story at one heck of a pace, and with relentless tension. It kept me guessing to the end, questioning what I’d ‘seen’, questioning what I believed, questioning everything. I cannot wait for the release of the next in the series, due in February.

Kit Power
I bought this book because so many people had been raving about it, and because it’s set in North Devon, my home county. And I wasn’t disappointed. Erratically paced, the book covers just a few hours in time, and you live every moment of it. In high definition, with your nose truly up against the glass. It’s gritty, it’s visceral, it’s voyeuristic. One of those things you don’t really want to watch, but you simply can’t look away from.

Events, Reading, Vlog

Sunny, with a Chance of Zombies Vlog

Hopefully my blog won’t think I’m cheating on it, but here’s a quick vlog in which I promo the Sunny, with a Chance of Zombies anthology, and read an excerpt from my story, Order Up. I also recommend my current favourite book. All while looking pretty dumb. Seriously, does anyone like watching a recording of themselves?!

Events, Publication

Edge-Lit 4 Roundup

Sunny With a Chance of ZombiesThe Book Launch

Yesterday, I was at Edge-Lit; Derby’s annual (well, soon to be bi-annual) speculative fiction convention. Packed full of panel discussions, workshops, and book launches and sales.

I was there, once again, with KnightWatch Press, and this year we were launching the Sunny, with a Chance of Zombies anthology. The launch was for several of the press’ anthologies: Sunny, with a Chance of Zombies of course, along with Chip Shop Horrors, Killer Bees from Outer Space, and Nice Day for a Picnic. Yes, KnightWatch are not your typical horror publisher! There was also a reading by Terry Jackman, from her novel Ashamet, Desert Born. The launch was fantastic, and had a really good turn-out.


And, of course, it wouldn’t have been complete without a real-life (albeit undead) zombie, and some brain cakes. Well, it goes without saying, right? And, despite shaking like a leaf, my book reading went very well. In fact, it couldn’t have really gone any better (wink, wink. More on that another day.)

So, a huge thanks to KnightWatch Press, to Theresa Derwin and Steve Shaw, and the wonderful Dion Winton-Polak, editor of Sunny, with a Chance of Zombies. Also, my fellow Sunny reader on the day, Louise Maskill, whose story Run, Rabbit is also in the book. And of course, a massive thank you to Alex Davis and the whole Edge-Lit team.

So, the launch was great; we ate cake, we conquered our fears, we signed books, and we made new friends. Here’s to the next one!

The Panels

While the book launch kept me tied up for some of the day, I did manage to make it along to a number of panel discussions. I love this part of the convention, and I eagerly sit there, with pen and notebook, ready to grab useful hints, tips, insights, and soundbites.

The first panel, Into the Grimdark, featured authors Adrian Tchaikovsky, Gav Thorpe, and Sophie Sparham, plus Adele Wearing of Fox Spirit Books. It was a really interesting discussion about the elements and tone of grimdark fiction, and its place and future in the world of literature.

Adele Wearing pointed out that “Writers can’t help but respond to the world around them”, that the choice is to “either go in with escapism, and the lighter strands, or you reflect what’s really going on.” She added that “there is a mood for more flawed, everyday heroes, without the heroic persona.”

They all agreed that the genre is evolving, that it’s becoming something more playful, and satirical. Despite that, Adrian Tchaikovsky noted that “it is easier to write stories where everything’s horrible, because the conflict is given to you on a plate.”

The Looking Back panel discussed how much history is required in fantasy fiction, and it reiterated some of the points raised in the grimdark panel. This one featured authors Stephen Deas, Freda Warrington, Joanne Harris, Tom Lloyd, and Angus Watson.

Freda Warrington stated that “it’s almost impossible to write a book without history”, and, indeed, neither the panel nor the audience could think of an example. Joanne Harris went on to say that both stories and history—words that, in many languages, are almost identical—are a “shared narrative of being a human being, and the planet, and the cultures that we all come from”, that “they are entirely the product of their creator, who is entirely a product of their own time”.

They also discussed how historical accounts can’t be trusted, because they are written from particular perspectives, often embellished, twisted and changed over time. There are also huge gaps in our knowledge and evidence of the past. Joanne Harris pointed out that “history is as speculative as science fiction”.

The Death House signed by Sarah PinboroughThe third panel I attended, Monstrous Regiments, looked at the monster in horror fiction. It featured authors Adam Nevill, Sarah Pinborough, Mark Morris, and Alison Littlewood.

Such a panel couldn’t have avoided a debate on the zombie trend, and Alison Littlewood pointed out that their appeal was because “they’re not just zombies, they’re actually us. There’s an emotional connection”. Adam Nevill added that readers enjoyed “the fantasy of being a survivor”. But Sarah Pinborough personally found “much more emotional resonance” in ghost stories.

But there was clear agreement that readers didn’t want the old tropes and cliches, with Mark Morris concluding that they want “something different and new”.

All in all, another set of great panel discussions, and I only wish I could have attended more of them. Still, there’s always next year…

Reading, Review, Twitter

Review: The Death House by Sarah Pinborough

The Death HouseThere are very few books that have made it onto the list of books that have made me cry. But this one did. There’s no doubt about that.

Here’s how I reviewed it on Goodreads:

How can I possibly review this book? Five stars simply aren’t enough. The story, the characters, they creep into you so quietly, so deftly, you’ll barely notice it until you’re rooting for them, fearful for them, championing them. This book had me in tears before the end, and as the pages counted down to the climax, I could barely sit still. I wanted to pace the floor while I read it. And the ending? It’s nothing short of perfect. No book has made me cry so much. I sobbed through the last few pages. Beautiful, heartbreaking, and somehow triumphantly optimistic. This is going to take some time to recover from.

And it will take time to recover from. In fact, I may never. I think this might be one of those books.

The ending. Oh, the ending. I wasn’t prepared for it, not for a moment, but when it happened, so unexpectedly, I realised it was the only possible ending. The only one that made sense. The only way it could ever end.

When I finished, I clutched it as I dried my tears, laughed at something on the TV, and tried to readjust back to everyday life. I placed it on the sofa next to me, and knew I couldn’t just leave it there. I had to tell someone. So I phoned my sister and told her she had to read it, and all the while, the tears caught in my throat. Never, ever has a book made me cry simply by thinking about it. I told her she’ll sob her heart out. (She made me watch Shooting Dogs which made me cry for an hour afterwards. An hour. So this will be my payback.)

Don’t be put off by the title. This isn’t a horror, it’s not a ghost story, or a dark thriller. This is a coming-of-age story, and a beautiful one.