As promised, here is the sequel to How a Discovery Writer Learnt to Read Maps (part 1), where I’ll share more about the strategies I use to plot and write my books.
These strategies are the result of several years of practice, of learning from others, of tweaking, honing, and adapting. This didn’t come to me overnight, and, for the last two books I’ve started, the strategy has slightly changed again. It is, and always will be, fluid. I’ll forever be tweaking it, finding new ways that work better, and abandoning others that don’t.
For one thing, I’m never simply working on one book at a time. I always have at least two books on the go, sometimes three. But never at the same stage. A first draft requires me to be fully, and undistractedly, immersed into the world of that book. I only ever write one book at a time. But, I may well be writing one, plotting another, and editing a third.
I break down the book writing process into five basic stages:
- Editing (which includes the beta reader stage)
- Publishing (which includes cover design and formatting)
- Marketing (which is never-ending)
Writing is the only stage that is sacred and exclusive. One book at a time. But, if I can market all of my books at the same time, I can also work on more than one book in the other stages of book production, right?
Plotting is the section that has seen the biggest changes over the last year or so. This is the place where my strategy will either speed up my production, or slow me down. This is the vital part. I work to a story structure. I’ve looked at loads and loads of these over the years, and they’re basically, by and large, the same, they just call all the different sections different things. They’re not hard to find online. Search, and find one that sits well with you. So, before I even start plotting, I know what my basic structure is going to be. That work is already done for me.
I take my time over this stage. It doesn’t matter if plotting a book takes as long as writing it, because I’m concurrently writing another, so my production is still up. I plot in notebooks, always handwritten, and that notebook goes everywhere with me. For me, this is an important distinction. I plot by hand, I write on my laptop. It keeps the books separate in my head by separating them physically (and allows me to indulge my notebook addiction.)
My plotting notes differ. Some chapters may just be bullet points, and nothing more. Other chapters are almost completely written in my notebook; description, dialogue, everything. As I plot, I am also updating my series bible (or book bible for standalones), where I keep all the vital details that I’ll need to refer back to. Another trick to speed things up. When I move to the writing stage, I can fly through the chapters that are more heavily plotted, stumbling only when I’ve written something like ‘big fight scene here’. (Writing me never thanks plotting me for that one!) The more detailed the plotting notes, the faster the first draft is. And so, I never worry about plotting taking me a long time. While the first draft is my favourite stage, plotting is the most important.
Beyond that, I’m not doing anything special or different. I edit like a snail trying to get blood out of a stone (lots of coffee and cake required), and while my book is with beta readers, I get on with the next one in the chain.
While it may sound like I’m running a book factory, just churning out books, don’t be mistaken by that analogy. Every single book means the world to me, and includes my heart, my soul, my tears, and my blood. They are my babies, and I love every single one dearly. This is just how I work. My head is busting with more book ideas than I could write in my whole lifetime, and they itch in my fingers, keeping me awake at night, until I write them.
Because that’s one important lesson I’ve learnt; creativity attracts creativity. The more I write, the more ideas I have, the more come. While the brain being like a muscle is a tired old cliché, it’s true: the more weight I lift, the stronger it gets, and the more weight I’m able to lift.
But, this is me. This is what works for me, and it’s never going to work for everyone. You need to find your own way, and remember that you’re not in competition with anyone else. It’s not a race. It’s a path that we’re on together, and some people walk it, enjoying the scenery, while others sprint. There are turtles, and there are hares, and any one of us could burn out, retire, or gain ground at any time. Find your speed, find your route. That’s what matters.
This post was written as part of the Insecure Writer’s Support Group blog hop. If you want to visit the other IWSG member blogs, or sign up yourself, you can do so here.